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Metavisions : entrances and exits in Tom Stoppard's Rosencrantz and Guildenstern are dead
Abstract: Throughout this dissertation a dual objective has been kept in mind: first, to validate Stôppard's parodie method of 'composition, and secondly, to account for the Implicit 'cosmovisions that are compared and ...
Tradition and innovation : self-reflexivity in Iris Murdoch's : The black prince
([s. n.], 1990)
Abstract: This dissertation analyzes Iris Murdoch's novel The Black Prince in order to provide an insight into its innovative elements that were neglected or understimated by the majority of critics when analysing that ...